EARTHLIGHT HOURS. 12-1 Midnight. The change of light and names we use each hour. Selected from series of 24 watercolors. 11.5 x 17 inches, 29.2 x 43 cm. With Round the Clock video.
Asemic Cartoon 1. 2023. Series of 3. 8.25 x 11.75 inches, 20.9 x 29.8 cm. Watercolor, graphite, gouache, personal rubber stamps.
2023. Series of 10. 8.5 x 11.5 inches, 21.6 x 29.7 cm. Watercolor, collage, gouache, personal stamps, ink, graphite.
Asemic Cartoon 2. 2023. Series of 3. 8.25 x 11.75 inches, 20.9 x 29.8 cm. Watercolor, graphite, gouache, personal rubber stamps.
2023. Series of 10. 8.5 x 11.5 inches, 21.6 x 29.7 cm. Watercolor, collage, gouache, personal stamps, ink, graphite.
2023. Series of 10. 8.5 x 11.5 inches, 21.6 x 29.7 cm. Watercolor, collage, gouache, personal stamps, ink, graphite.
Asemic Cartoon 3. 2023. Series of 3. 8.25 x 11.75 inches, 20.9 x 29.8 cm. Watercolor, graphite, gouache, personal rubber stamps.
The Line Paintings 2022. Book, 38 pages. 5.9 x 8.3 inches, 15 x 21 cm. Black metal coil binding, vinyl cover, heavyweight matte paper, printed one side. Watercolors 8 x 6 inches, 21 x 15 cm. $60
IN A WORD 2021. Book of watercolours. Military explosives names and new geopolitical labels. 38 pages, 5.9 x 8.3 inches, 15 x 21 cm. Black metal coil binding, vinyl cover, heavyweight matte paper, printed one side. 9 x 12 inches, 23 × 30 cm. Watercolor, collage, personal rubber stamps.
DRAWING THE LINE (24) and LINE IN THE SAND (5). 23 x 30 cm., 9 x 12 inches. Watercolor, graphite.
ENDGAME2 2017, Snake Creeps Down. Reflects on war arts glorified and embedded in human culture. It employs kung fu animal stance titles, camouflage markings, and the ambiguity of asemic writing to consider that the ultimate goal of the military-industrial complex is ambiguity, instability and no end to the game. Watercolor, ink, graphite, personal rubber stamps. 23 × 30.5 cm., 9 x 12 inches.
© 2023 CECELIA CHAPMAN