on paper

essay, small drawings, digital print

Nippe, Nippe

Record From the Skull

Space Station Prints

On Buckskin Path

Magic Alibi

Endgame2

Space Station Poems

Ultima Thule

Strange Love

Semiotic-Pareidoliapophenia

My Pad is Your Pad

or click on the image to view the full series

Nippe, nippe: a report from the land of the peoples of the first light whose language and lands were stolen 2019.  47 drawings, Canson paper, watercolor, digital print, collage, gouache, graphite, ink, personal rubber stamps, 8 x 8 in., 20.5 x 20.5 cm. Selected drawings https://the-otolith.blogspot.com/2020/01/cecelia-chapman.html and https://www.utsanga.it/chapman-nippe-nippe-a-report-from-the-land-of-the-peoples-of-the-first-light-whose-language-and-lands-were-stolen-from-asemic-open-call/

Caravan of the Wind, Record From The Skull: night order of things 2019 with Jeff Crouch. Video, essay, 6 drawings. Canson paper, watercolor, digital print, collage, gouache, graphite, ink, personal rubber stamps, 8 x 12 in., 20.3 x 30.3 cm. http://www.arteidolia.com/record-from-the-skull-night-order-of-things-cecelia-chapman-jeff-crouch/

Space Station Prints 2019 with Jeff Crouch. Mail collaboration, glitch, asemic, painting, 6 digital prints on paper.  https://the-otolith.blogspot.com/2019/07/cecelia-chapman-jeff-crouch.html

On Buckskin Path: What the Cyborg Found 2019.
Two drawings, 9 x 12 in., 23 x 30.5 cm., Strathmore paper, watercolor, gouache, graphite, ink, personal rubber stamps. https://thenewpostliterate.blogspot.com/2019/09/cecilia-chapman-and-jeff-crouch-on.html

Magic Alibi 2019. Four drawings on Lanaquarelle paper 10 x 14 in., 26 x 36 cm., gouache, watercolor, ink, graphite, personal rubber stamps. https://thenewpostliterate.blogspot.com/2019/06/magic-alibi-by-cecelia-chapman.html

Space Station Poems 2019 with Jeff Crouch. Mail collaboration, glitch, asemic, painting, 6 digital prints on paper. https://exp–net.blogspot.com/2019/08/six-space-station-poems-cecelia-chapman.htm

Snake Creeps Down from Endgame2 2017 reflects on war arts glorified and embedded in human culture. I4 drawings on Lanaquarelle paper, watercolor, ink, graphite, personal rubber stamps. 9 x 12 in., 23 x 30.5 cm. http://the-otolith.blogspot.com.au/2017/05/cecelia-chapman.html

Ultima Thule: Horizon, Border and Limits 2018…geo-political complexities associated with “borders,” and the heated race to colonize space. Watercolor original, and digital print. 6 drawings, Lanaquarelle paper, watercolor 10 x 14 in., 26 x 36 cm. gouache, personal rubber stamps, graphite, ink. https://www.utsanga.it/chapman-ultima-thule-horizon-border-and-limits-2018/ and https://the-otolith.blogspot.com/2018/08/cecelia-chapman.html

Strange Love 2017…a dance of sex and death through complex strategies of attraction to ensure survival. 6 drawings, Lanaquarelle paper, gouache, watercolor, ink, graphite, personal rubber stamps. 9 x 12 in., 23 x 30.5 cm. https://www.interaliamag.org/emerging-ideas/cecelia-chapman-strange-love-2017/  

Semiotic-Pareidoliapophenia 2019…metaphor and magic in abstract-asemic writing. 6 drawings, Lanaquarelle paper, watercolor 10 x 14 in., 26 x 36 cm. gouache, personal rubber stamps, graphite, ink. https://the-otolith.blogspot.com/2019/08/cecelia-chapman.html

My Pad Is Your Pad: Landing Pad Communiques 2017…graphic landings, drone pad, glider mark, crop circle, orchid. 4 drawings, Canson paper, watercolor, gouache, acrylic, personal rubber stamps, digital print, graphite. 8 x 10 in., 20.5  x 25.5 cm. the-otolith.blogspot.com.au/2018/01/cecelia-chapman.html