The Line Paintings 2020-2022 occupy a place between rhythm and trance. They are experiments in rhythm like drumming, creating a transliminal~transcendent experience. Series of 36.  Watercolor. 8.25 x 5.75 inches, 21 x 15 cm. 

The Line Paintings 2020-2022 occupy a place between rhythm and trance. They are experiments in rhythm like drumming, creating a transliminal~transcendent experience, a meditative, healing place of line and color. Series of 36. Watercolor. 8.25 x 5.75 inches, 21 x 15 cm. 

In A Word II 2022.  Series of 5. Watercolor, collage, personal rubber stamps. 9 x 12 inches, 23 x 30 cm. 

In A Word, 2021. Series of 12. Watercolour, collage. 9 x 12 inches, 23 x 30 cm. 

The Line Paintings 2020.Series of 38.   Watercolor. 9 x 12 inches, 23 x 30 cm. 

Between Heaven and Earth is the Sea 2022. Series of 20. Watercolor, acrylic. 9 x 12 inches, 23 x 30.5 cm.

Between Heaven and Earth is the Sea 2022. Series of 20. Watercolor, acrylic. 9 x 12 inches, 23 x 30.5 cm.

In A Word II, 2021. Series of 5. Watercolour, collage. 9 x 12 inches, 23 x 30 cm. 

The Line Paintings 2020. Series of 38.   Watercolor. 9 x 12 inches, 23 x 30 cm. 

SummerMail2020. Series of 36. Watercolor, drawing, collage, personal rubber stamps. 9 x 12 inches, 23 x 30 cm. Mail collaboration with Jeff Crouch.  https://the-otolith.blogspot.com/2020/05/cecelia-chapman-jeff-crouch.html 

The Formula &other Slaughter from SummerMail2020. Series of 36. Watercolor, drawing, collage, personal rubber stamps. 9 x 12 inches, 23 x 30 cm. Mail collaboration with Jeff Crouch.  https://the-otolith.blogspot.com/2020/05/cecelia-chapman-jeff-crouch.html 

Meta-physical Midnight 2020. Series of 4. Watercolor, drawing, personal rubber-stamps, collage. 12 x 18 inches, 30.5 x 45.7 cm. http://www.arteidolia.com/four-menu-boards-cecelia-chapman/

Live Host Insideout 2020. Series of 6.   Watercolour, gouache, personal rubber stamps, ink. 9 x 12 inches, 23 x 30 cm. https://www.utsanga.it/chapman-live-host-glyphs-insideout-2020/

Magic Alibi 2019. Series of 4. Watercolor, gouache, personal rubber stamps, ink.  9 x 12 inches, 23 x 30 cm. https://thenewpostliterate.blogspot.com/2019/06/magic-alibi-by-cecelia-chapman.htm

Nippe, nippe: a report from the land of the peoples of the first light whose language and lands were stolen 2019. Series of 48.  Watercolour, collage, ink, personal rubber stamps. 8 x8 inches, 20.5 x 20.5 cm. https://www.utsanga.it/chapman-nippe-nippe-a-report-from-the-land-of-the-peoples-of-the-first-light-whose-language-and-lands-were-stolen-from-asemic-open-call/

and Nippe, Nippe: a Report 2020,

3asemiscapes 2018. Watercolour, graphite, ink, personal rubber stamps. 10 x 14 inches, 26 x 36 cm. Series of 3.  https://www.utsanga.it/chapman-works-4/

Strange Love 2017. Series of 6. Watercolour, graphite, ink, gouache, personal rubber stamps. 9 x 12 inches, 23 x 30.5 cm. https://www.interaliamag.org/emerging-ideas/cecelia-chapman-strange-love-2017/  and http://www.unlikelystories.org/content/strange-love

Endgame:100 Worries 2017. Series of 4. Watercolour, graphite, ink, personal rubber stamps. 8 x 10 inches, 20 x 21.5 cm. www.utsanga.it/chapman-endgame-100-worries-with-four-drawings-wushu-pono-zugswang-and-indo/ and http://the-otolith.blogspot.com.au/2017/03/cecelia-chapman.html