Reflects on war arts glorified and embedded in human culture. http://the-otolith.blogspot.com.au/2017/05/cecelia-chapman.html It employs kung fu animal stance titles, camouflage markings, and the ambiguity of asemic writing to consider that the ultimate goal of the military-industrial complex is ambiguity, instability and no end to the game. Ride The Tiger, Green Dragon Drops Water, Hidden Leopard, Snake Creeps Down. Lanaquarelle paper, watercolor, ink, graphite, personal rubber stamps. 9 x 12 in., 23 x 30.5 cm.