2019 - 2000 ARCHIVE SELECTED AVAILABLE WORKS

ENDGAME2 2017, Ride The Tiger. Reflects on war arts glorified and embedded in human culture. It employs kung fu animal stance titles, camouflage markings, and the ambiguity of asemic writing to consider that the ultimate goal of the military-industrial complex is ambiguity, instability and no end to the game. Watercolor, ink, graphite, personal rubber stamps. 23 × 30.5 cm., 9 x 12 inches.

ENDGAME2 2017, Snake Creeps Down. Reflects on war arts glorified and embedded in human culture. It employs kung fu animal stance titles, camouflage markings, and the ambiguity of asemic writing to consider that the ultimate goal of the military-industrial complex is ambiguity, instability and no end to the game. Watercolor, ink, graphite, personal rubber stamps. 23 × 30.5 cm., 9 x 12 inches.

ENDGAME2 2017, Hidden Leopard. Reflects on war arts glorified and embedded in human culture. It employs kung fu animal stance titles, camouflage markings, and the ambiguity of asemic writing to consider that the ultimate goal of the military-industrial complex is ambiguity, instability and no end to the game. Watercolor, ink, graphite, personal rubber stamps. 23 × 30.5 cm., 9 x 12 inches.

3ASEMISCAPES 2018. When meaning is meaningless, propaganda is meaningless. Asemic and glitch open the door of perception to transform consciousness. Asemic writing, mark-making and drawing are renegade acts, a fuck-off to global corporate-industrial, military-defense, and advertising-media propaganda. They are a revolt against social, thought and image control. 26 x 36 cm., 10 x 14 inches. gouache

3ASEMISCAPES 2018. When meaning is meaningless, propaganda is meaningless. Asemic and glitch open the door of perception to transform consciousness. Asemic writing, mark-making and drawing are renegade acts, a fuck-off to global corporate-industrial, military-defense, and advertising-media propaganda. They are a revolt against social, thought and image control. 26 x 36 cm., 10 x 14 inches. gouache

ENDGAME: 100 Worries 2017. Series of 4. Exploring visual deception, camouflage and the ambiguity of asemic drawing. Watercolor, ink, graphite, personal rubber stamps. 20 × 21.5 cm., 8 × 10 inches.